Violin Varnish: articles and notes from the workshop of K. Padding
Codice
501491
Violin Varnish: articles and notes from the workshop of K. Padding
Codice
501491
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CONTENTS
Introductory articles by John Dilworth and Roger Hargrave give the background to Koen Padding’s varnish research and an overview of his aims in producing the Magister materials.Chapters by Koen Padding provide detailed information on analysis of classical coatings, varnish application techniques, the use of UV and the influence of alchemy in the understanding of historical manuscripts.
- A rational look at the classical Italian coatings
- Detailed analysis of the varnish layers on classical instruments including colour photos in UV and VIS
- A fresh look at Sacconi’s research
- Explaining the illusory effects of classical violin varnish
- Interpreting manuscripts and understanding techniques of the past
- Early documentation of wood treatment and varnish sources
- The Magister varnishing system
- Detailed instructions about how to apply each layer in a varnish coating including information about wood treatment, varnishes, pigments and siccatives
- Varnish components and formulation
- Analysis of the functions of the components of varnish ingredients
- Use of ultraviolet sources in lutherie
- A practical guide to the safe and effective use of UV light in the workshop
- Through thick and thin
- Historical evidence for the use of solvents
- The use of horsetail
- Equisetum for wood finishing
- Hatching alchemy from an egg
- Analysis of a pigment recipe from the 1580 Paduan Manuscript
Appendices list varnish materials and equipment left in Koen Padding’s workshop and materials he ordered.
A detailed bibliography lists the varnish-related books Koen Padding owned and references other relevant books and articles.